The first line in the example in FIGURE 14-1 is a derivation of a simple minor pentatonic scale in the key of A. What makes this lick different is the addition of the C, which is the major third of A. Even though blues is predominantly played in a minor scale, most of the chords are major. Adding the C helps to better conform the scale to the chord. You'll find licks that sound like this in a lot of blues playing. Since this lick is specifically for the A chord, you can use it only in the blues progression where the A chord is present. It won't fit over the IV and V chords.

FIGURE 14-2 uses double stops, meaning you play two notes at a time. This lick uses the A-minor pentatonic scale with added ninth and sixth. At the end, this lick uses another major third of C to help round out the sound.

FIGURE 14-3 uses the A-Major triad (A, C, E) and slides from above and below certain pitches. Using just those three notes with embellishment can make a nice phrase.

FIGURE 14-4 uses the A-Dorian scales as a replacement for the pentatonic scale. Notice the double stop and slide. Use the inflections often to spice up licks. Notice how the last note is an A, the strongest note in the key.

The last lick in the key of A is a simple repetitive lick using the top two strings of an A-minor pentatonic scale with a bend at the end—simple, but effective. See FIGURE 14-5.