As you're starting to see, there's a new mode for each tone you start on. Each mode is described from what note (first, second, third, and so on) it starts on. From now on, it will just be understood that the fourth mode starts on the fourth note and so on. Again, using the C-Major scale, the F-Lydian mode consists of the notes F, G, A, B, C, D, E. It resembles a major scale with a raised fourth pitch. F Major consists of F, G, A, B, C, D, E, and F-Lydian raises the B to B. To make a Lydian mode from any note, all you have to do is think of the major scale, then raise the fourth note one half step up, or one fret up. FIGURE 10-5 shows the F-Lydian mode on the sixth string: FIGURE 10-6 shows the F-Lydian mode with a root on the fifth string.

The Lydian mode has a unique character to it, because it goes beyond the normal “happy” characteristics of major scales. Because of its unique sound, Lydian has long been a favorite of TV and film composers: just watch the Discovery Channel, you'll hear lots of Lydian. In rock music, Frank Zappa and Steve Vai are big fans of the Lydian mode and use it often in their music. This is a great alternative to a regular major scale, which can sound a little bland.