Successful filmmaking is a symbiotic relationship between creativity and technical genius. Fortunately for today's filmmakers, technology has taken phenomenal strides, especially in regard to all things digital. Regardless of the technology, however, you still need specialists to handle all of the traditional and transitional equipment. Lighting technicians, electricians, grips, and prop masters all have important roles to play in any production.

Lighting Technicians

Lighting is one of the most critical aspects of filmmaking, as it sets the mood and ambiance of every scene. The gaffer works directly with the cinematographer to create proper lighting and ensure that enough electrical power is available to operate all the production equipment, from lighting to cameras. Surrounded by a team of lighting technicians, who set up and control the equipment, the gaffer can also be credited as chief lighting technician.

One of the most intriguing film job titles is the best boy. More often than not, the average filmgoer has no idea what the best boy does or what indeed makes him the best. The best boy is the first assistant to the gaffer, and is in charge of additional electrical crew members and all of the electrical equipment. The term “best boy” originated when a crew's “best” member was promoted to a supervisory position.

Pulling Stunts

The stunt coordinator plans and helps execute the physical stunts for a film. As well as ensuring that stunts will translate as realistically as possible to the screen, this individual focuses on the practicality of stunts and the safety of the professionals involved in stunt work. Stunt performers are highly specialized athletes and actors who perform the physical actions required for stunt scenes. Stunt doubles are stunt performers who take the place of specific actors in the film for potentially dangerous scenes. They have the same general physical characteristics as the actors they are representing, and are carefully made up to enhance the visual illusion.

Prop Master

The property master, or prop master, is in charge of prop acquisitions, prop maintenance, and the distribution of props as they're needed. Whether props are purchased, rented, or created from scratch, they belong in the prop master's domain. On bigger-budget productions, the prop master typically has a staff of assistants, such as an armorer, a highly specialized technician whose job it is to monitor and maintain all firearms.